You’ve been transported here because what I have to say about KKSF does not fit the goofy spirit of All The Excess! When it’s time to be sincere, I have to leave my usual surroundings. Sincerity mode is now “on,” big time.

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On Monday May 18, when I learned that KKSF had changed format, I felt an emptiness I can’t describe. Spending eleven memorable years working for that station probably has something to do with it. In 1988 I became KKSF’s morning guy, left four years later for a very forgettable gig across town, miraculously got hired back a year later, and stayed in various capacities until 2000. By the time I left I was Assistant Program Director and Music Director of that incredible and very unique station.

I was hired by the late Steve Feinstein, whose singular vision for KKSF propelled the team for almost ten years. GM Dave Kendrick was always the consummate gentleman, and everyone on staff was united in the effort not only to make KKSF an enjoyable radio station, but also to bond with the Bay Area as a whole and become an integral part of the community.

The eclectic music mix was the first difference you’d notice about KKSF. The technical sound was top notch and pristine. After some listening you’d soon pick up on the soul of the station – the genuine love of San Francisco demonstrated by the charity CD samplers for AIDS relief, the countless KKSF listener parties which brought like-minded people together, and the humble attitude that our listeners were deserving of the utmost respect. KKSF did everything with class.

Toward the end of the nineties, KKSF did what it had to do…it mainstreamed its music to stabilize some unpredictable swings in the Arbitron ratings. In fact it almost did a 180-degree turnabout, because the KKSF of 1988 wouldn’t touch a “hit,” but the KKSF of 1999 and later was all about familiarity. The overall presentation remained intelligent and classy throughout, and gave KKSF consistency amidst change.

KKSF built an audience one listener at a time. We would painstakingly assist listeners who called in with questions about some of the hard-to-find songs we’d play. I remember Feinstein responding personally to every letter and email, regardless of whether it was a complaint or a compliment. We were taught that each listener we touched was immensely important to our success. And we never, ever talked down to our audience.

Playing music not bound by genres, giving good customer service, and working tirelessly in the community, KKSF became one of an alarmingly few radio stations that truly resonate with their markets. Bay Area people would describe themselves as “KKSF listeners” in the personal ads, and you’d know exactly what they meant! How many stations are lifestyle-defining?

KKSF was one of the last stations of its kind…not because it was a Smooth Jazz station, but because it was an adventurous, local, wired-into-the-community commercial radio station. A station that truly served the public interest. That’s why it’s so sad to see it go.

It’s hard to fault Clear Channel for changing a station that perhaps wasn’t delivering enough return on investment to make good business sense. Maybe KKSF’s time had come and gone. But KKSF did set the bar very high when it came to having a solid bond with its audience. Will we ever see a personal ad in which someone describes themselves as a “103.7 The Band listener?” I suppose time will tell.

--Blake Lawrence

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